The Met’s ‘Antony and Cleopatra’ Reframes Ancient Tragedy Through the Lens of Propaganda Spin—and its darker fascist cousin—is everywhere in Elkhanah Pulitzer’s production of John Adams’s opera. By Gabrielle Ferrari
Architecture’s Algorithmic Turn: A.I., Adaptation and the Future at the Venice Biennale By Auronda Scalera and Dr. Alfredo Cramerotti
